he wasteland section five opens with a certain trepidation. The
first stanza appears to be a time before anything significant or
hopeful, “He who was living is now dead / We who were living are
now dying”. “He” represents a higher power, perhaps suggesting
Jesus, a savior who died then rose again. “With a little patience”,
the next line, indicates something more will happen, maybe the rise
of the savior.
The second stanza reinforces the atrocity that is the wasteland.
It emphasizes how uncomfortable the place is. No matter how the
people turn, they cannot escape the listless agony.
The third stanza is very distressing because it is a fantasy. A
dream born out of the torture, a pool of water is envisioned. Water
is seen as the greatest possible joy. Even the sound of water,
representing freedom, is a cause for excitement.
The following stanza is also a form of hallucination packed with
meaning. This time, the speaker spots a person in his line of sight.
This brown cloak-wrapped being could literally be the speaker's
companion's shadow, but more realistically it is death. Death has
often been described as a constant companion, invisible until a
person is dying. Then they go with death to wherever. The speaker
spotting death is an ill omen for them, hinting that death may not be
far off.
As the speaker looks into the distance, an old abandoned city
comes into view. At the same time, swarms of hooded beings descend
unto the city. The hooded figures being lost souls looking for peace
or rest. The text also compares this city to apparently fallen, but
once great places, such as Athens and interestingly modern London.
This failure is more of a mental than physical destruction, as in the
real world, London is a thriving urban center.
In the sixth stanza, the scene takes on an even darker light. A
woman and horrible creatures are pictured in a twisted and
upside-down world that corresponds with the fallen city in the
previous stanza. They are invading the eerily empty wells and ringing
church bells. The idea that a church can be controlled by these
evil-seeming monsters is both social commentary on how everything is
corruptible and a gross distortion of what most religions claim to
support.
Now the hidden city appears quiet and abandoned, not plagued or
inhabited. The only creature remaining is a lone rooster, who crows.
Rooster's crowing brings to mind the prophecy Jesus spoke to Judas,
that Judas would betray him before rooster cried three times in the
morning. Then rain falls and hope is restored in the world. The
sacrifice of Jesus is what Christianity believes allowed sinners to
be let into heaven, essentially.
Now that it has began to rain, the Ganges river is described.
Surrounding jungle is waiting to hear an unknown speaker. The speaker
is revealed to be Thunder, a divine being. The thunder then goes on
to issue both commands and ask questions of the world and humanity.
First, it asks about generosity. The answer comes that “we” have
given nothing to others, only securing our own lives. Next the
thunder inquires about compassion. It answers itself by saying humans
are too locked up in their own cares to even have the capacity for
compassion. The final command is about self-control. It describes the
happiness of a sailboat at the hands of it's master. Both are content
and neither try and become each other, exercising their own control.
Finally the poem closes with the previously hinted at savior
making the decision to try and save his “lands” - humanity. The
route for this salvation is presented as the ideas of generosity,
compassion, and self-control. It also rings as a sort of fable –
story with moral lessons at it's heart.
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