CH 1
Thus in the midst of the mud and at the heart of the fog,
sits the Lord High Chancellor in his High Court of Chancery. – Narrator (PG 7)
The entire English justice system
is insulted in this one sentence and a major theme throughout the book is also
solidified.
For the
first few pages, the narrator describes London porper and the pollution, mud,
and general chaos that it is. Then the narrator literally and metaphorically
places the High Court of of Chencery at the center of the problem. Why the
author chose the Justice system, instead of the police force or parliament, is
curious.
The reason
for this selection lies in the nature of the court. Judges are subject to
follow the law, no matter what it details. The Court really has no power in
creation of new laws or regulations, they are the recievers and execute the
orders given. This makes them a by product of the government and a
representative of it as its creation. As the Court system is corrupt, it could
be said the government is as well. This is what the narrator is getting at and
it is a very bold statement that is followed through the book.
CH 2
Sir Leicester has no objection to an interminable Chancery
suit. – Narrator (PG 14)
Sir Leicester, the fashionable Lady
Deadlock’s husband, is a quintisential upperclass idiot. Because of his vast
funds, he cares little how most of it is spent. Because of his position in the
nobility he only wants to remain there and ensure the lower classes are kept
down. He respects the Courts, as to do otherwise would go against social norms
and British society. He does all of this without thinking much about it. In
fact, it is easy to recognize that Sir Leicester considers little.
The ignorance of problems that
Leicester’s wife, or the general population, encounters is very selfish. He is
focused only on little things for his own good. He practically an archtype for
the selfish rich man.
CH 3
…the resolution I had made on my birthday, to try to be
industrious, contente, and true-hearted, and to do some good to some one, and
win some love if I could… - Esther (PG 26)
Esther is
so unassuming and kind that she is practically a saint. Despite the poor
circumstances she was raised in, her outlook is crazily-positive. Although it
is applaudable in marytrs, the amount of herself that she gives to others could
eventually end up putting her in a truly bad position. Duty and honor are strongly
embedded in her.
CH 4
”What?” asked Ada, with her pretty smile. –Esther(PG 43)
Bashful and
modest are Esther’s middle names, but in this passage the audience gets a hint
that she is at least moderately clear-sighted. Esther realizes something is
amiss in the Jellyby household, but doesn’t wish to assume anything. Ada realizes this as well, but her
comprehension of root of the source is much worse. In short, Ada is a
well-intentioned girl, but less intelligent or willed than Esther. She follows
Esther’s lead in helping the children and even in going places.
CH 5
They die in prision though. Their lives, poor silly things,
are so short in comparison with the Chancery proceedings, that, one bu one, the
whole collection has died over and over again. I doubt, do you know, whether
one of these, though they are all young, will live to be free! Ve-ry
mortifying, id it not? – Miss Flite (PG 56)
The crazy
old lady is prophetic and accurate. She is unknowingly, or possibly knowingly,
warning the young trio (Esther, Ada, Richard) what happens to anything young or
hopeful when under the influence of the Jarndyce and Jarndyce case. The author
is using Miss Flite to compare the birds to the trio. It is a clear warning,
though none of them recognize it.
CH 6
I must have a promise all around theat nothing of this sort
shall ever be done anymore. – Mr. Jarndyce (PG 81)
Mr. Jarndyce is eccentric, but
recognizes the scam Skimpole pulled on Esther and Richard. However, he forgives
and forgets immediately. This back and forth in his personality is something
worth noting. He appears conflicted but genuinely interested in everyone’s
wellbeing from the ophans to Skimpole’s selves. This sense of responsibility is
clear throughout the chapter and emphasizes just how good he has been to
others.
CH 7
At the Dedlock’s manor, an old story is brought out into the
air. The legend is that the Dedlock’s name will one day be ruined because of
their past indiscretions and betrayals. Combined with a very sharp eye
Tulkinghorn has turned on the Lady Dedlock, these events do not bode well for the
Dedlock household. Although it is unknown what role the Dedlock’s play in this
novel, it seems they are going to become more important characters.
CH 8
Little old woman, and
whither so high?
To sweep the cobwebs
out of the sky
You will sweep them so neatly out of our sky, in the course
of your housekeeping, Esther, that one of these days, we shall have to abandon
the Growlery, and nail up the door. – Mr. Jarndyce to Esther (PG 98)
This seems to be an omen and a
compliment rolled into one. Jarndyce is very complimentary towards Esther. He
calls her little old woman and more in a teasing way, but there is the
impression of something more behind his words. More as in he posses a liking
beyond sponser. The nicknames are almost a subtle form of flirting, but it is
difficult to discern whether they are attempts to flirt or just make Esther
feel welcome.
CH 9
To hear Mr. Boythorn
presently expressing the most implacable and passionate sentiments, with
this fragile mite of a creature quietly perched on his forehead, was to have a
good illustration of his character, I thought. -Esther (PG 117)
Mr. Boythorn is a passionate man,
vocal and physical. Despite his imposing stature and personality, he seems to
be a force of good. Esther immediately recognizes him as a good guy, gentle to
those who need it. The power of Esther’s perception is once again highlight.
Boythorn represents a simple, direct force of organization and anti-pretense.
He scorns nere-do-wellers and boring places while favoring adventures and
honorable friends. He is one of the few all-good people that have been introduced
as of yet in the book.
CH 10
…sold himself to The Enemy; but you and I know better – he
don’t buy. – Mr. Krook to Tulkinghorn (PG 136)
This ominous
exchange is very interesting because a mutual acquaintance of Krook and
Tulkinghorn is unlikely. The Enemy is a very broad description of something,
perhaps evil, that both fight against. However, knowing Krook’s rather
psychotic tendencies and Tulkinghorn’s snoopy ones, it is probably nothing
normal people consider the enemy. That begs the question of what could possibly
be a mutual enemy. It throws Tulkinghorn into a very suspicious light knowing
that Krook is crazy.
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