DJ-21
So he picked out the
eyes in the ceremonial way and the feast went on. – Narrator PG 62
The head vulture is a satire of Jody’s pompous leadership.
The heade honcho takes the most juicy cut of meat, but the vast majority of the
body is left to those under him. They will never reach the pinnacle of
fulfillment, but they will never want for anything either. This keeps them in a
sort of limbo. It also shows how everything is reduced to dead matter over
time.
DJ-22
Then Jody ruined it
for her. – Narrator PG 69
Ruining other people’s happiness is a trait of someone who
is unhappy with their own selves. This also seems to be a summerazation of
Jody’s role in Janie’s life. He ruins her joy, her self-confidence, really her
desire for anything.
DJ-23
Dat’s cause you need
tellin’ – Jody PG 71
Despite what Jody incorrectly states, Janie has plenty of
ideas and thoughts to share. She also has her own way to do things, but because
that would mean a certain level of independence, Jody fears it. He fears her
intelligence and beauty because it casts a shadow on his own person, so he
tries to shame her. The continuation of people putting down others continues.
The whites put the blacks down and they tear themselves apart from within,
trying to climb to the top.
DJ-24
She got so she
received all things with the stolidness of the earth which soaks up urine and
perfume with the same indifference. – Narrator PG 77
Humans are not supposed to be immovable rocks, they are born
with life. That comes with emotions, but Janie puts on a hard shell to ignore
her own emotions regarding Jody. It is a defense mechanism, but it also can
crack. Eventually Janie will come out of the shell swinging because she’s
intelligent and unhappy with her life. It also composes a part of the
Janie-as-earth-mother theme in the book. In her natural state, she is a
beautiful fertile tree, in her tense form, she is an unshakable and inanimate
stone.
DJ-25
For the first time she
could see a man’s head naked of its skull. – Narrator PG 77
Janie is beginning to come into her own. She realizes Jody’s
ploy to keep her down and submissive. She now has the first key to reversing
her fortune. Knowing her enemy allows her an insight into his pathetic mind.
DJ-26
…for people began to gather in the big yard under the palm
and china-berry trees. – Narrator PG 84
This flocking of people brings to mind the earlier vulture
parable. All of them sense death and the potential for weakness. The perceived
vunrability due to the looming death of her husband is a place for people to
try and dig their claws in. Most just want her money or patronage. Janie isn’t
really fooled though, she recognizes the vultures for what they are. It is a
testament to her intelligence and determination that she essentially ignores
the crowding people.
DJ-27
…so busy worshippin’ de works of yo’ own hands… - Janie PG
86
This is at least the third time Janie mentions self-praise
in a negative light. This is the kind of confidence that leads to excessive
pride and downfall. Janie realizes Jody was victim to this and wants him to
understand it as well. As a sort of revenge on him, she unloads all her
feelings from the past twenty years of marriage. His neglect to her feelings
has left a very bitter taste, but she still goes on. Despite troubles, Janie is
left intact and with a sense of honor and dignity.
DJ-28
She tore off the kerchief from her head and let down her
plentiful hair. – Narrator PG 87
The return of Janie to her natural state is celebrated in
this line. She is full of life and letting down her hair symbolically releases
her of constraints. With this she returns to a pear tree, escaping life as a
cold rock. It also marks the beginning of her defiance of society. Kerchiefs
were her obedience to Jody (man) now she is burning them along with her
submission and unhappiness.
DJ-29
Weeping and wailing outside. Inside the expensive black
folds were resurrection and life. – Narrator PG 88
The outside can be dramatically different from the inside.
For most of Janie’s marriage with Jody, people thought she has happy with him,
but in reality Janie resented Jody deeply for his treatment of her. The
description of Janie’s soul coming into the world refreshed is similar to that
of a new baby coming into the world.
DJ-30
…mourning oughtn’t tuh last no longer’n grief. – Janie PG 93
Janie really hates the idea of false pretense and is tells
her best friend about her true feelings with no remorse. Her morality and
frankness contrast with the townspeople, who secretly poke and prod and pry at
everything. This puts Janie in a very honest and seemingly righteous light.
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